t u n i n g s
tuning photo from ap <<i'm glad people are picking up on it,>> jeff commented to cmj on idaho's four string guitars. their <<nonstandard guitar tunings are key... they're all about hues and tints>> and the <<immense, sad universe>> that makes up idaho's <<entirely new sort of music... a sort of feedback jazz.>> (ap)

the four string guitar and its various tunings happened as an accident of sorts. a <<very sterile looking>> fender squire was lying around, missing two strings and <<i tuned it up to something that sounded nice to me. it had a nice ring to it.>>

idaho now play custom four string guitars made by john carruthers in venice, california.

<<sometimes i think six strings is just too many strings.>> jeff told chris douridas of kcrw that a standard guitar was <<very intimidating to me,>> but the discovery of four strings and the <<personal approach>> (cmj) they allowed helped mold jeff martin into what ap described as <<a songwriting genius.>>

<<four strings have been very good to me.>>

by tuning
a g b d#
  sweep

a g d d
  glow

b f# b e
  crawling out
  only maybe
  still

c f c d
  a sound awake

d a e g d#
  here to go

e b e b
  creep
  forever
  one sunday

e c# f# b
  catapult
  god's green earth
  pomegranate bleeding
  shoulder back
  sliding past

f a# f g
  end game
  you are there

f c e g
  fall around

f a# c# c
  weird wood

f# c# e a#
  a ten to noon
  fuel
  shame
  taken
  the worm

g c d a#
  save

g c f# b
  drop off

g# c f a#
  hail mary

g# d# f a#
  get you back
  hold everything
  if you dare
  skyscrape
  stare at the sky

by song 
a sound awakec f c d
a ten to noonf# c# e a#
catapulte c# f# b
crawling outb f# b e
creepe b e b
drive itb f# b e
drop offg c f# b
end gamef a# f g
fall aroundf c e g
forevere b e b
fuelf# c# e a#
get you backg# d# f a#
glass bottomstandard
glowa g d d
god's green earthe c# f# b
gonedropped standard
hail maryg# c f a#
here to god a e g d#
hold everythingg# d# f a#
if you dareg# d# f a#
one sundaye b e b
only maybeb f# b e
pomegranate bleedinge c# f# b
saveg c d a#
shamef# c# e a#
shoulder backe c# f# b
skyscrapeg# d# f a#
sliding paste c# f# b
stare at the skyg# d# f a#
stillb f# b e
sweepa g b d#
takenf# c# e a#
the wormf# c# e a#
weird woodf a# c# c
you are theref a# f g
idaho's four string guitars the tunings are given from the lowest pitch to the highest. they all fall into two general categories according to their registers, low or high. the lower register tunings can be thought of as derivatives of the deepest four strings on a six string guitar, and the higher register tunings can be considered derivatives of the highest four strings on a six string guitar.
 
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